Author Archives: Karl Pajak Writes

About Karl Pajak Writes

Many people want to know how to write, what it takes. I tell them it's simple. I then have them pick a word, ask them to write it down. I then ask them to pick another word, one they think goes with the first word. I then ask them to write it down. I then ask them to continue the process until they have created a story. It's really that simple... just write. The hard part is becoming well written. That journey has been painful, and exhausting. Mainly because I can't dedicate enough time to my craft, something that is mandatory if you are to become well written. So, I languish in the back water region of some forgotten bowl of soup, floating among the other jetsam, until finally I fish myself out of the dregs and attempt to hone my craft again. Perhaps I am well written enough to actually give writing a go. It's time to find out.

Retro Specs

The darkness of the room’s corner conceled him. He waited, oversized .38 special in hand. It really was a special .50 cal he’d picked up, but in his hands it seemed small. It looked just like a .38 Special, just enormous, unles he was holding it.
Come on punk, he thought. You know you want to come meet your maker. Maximillion Reginald, known to his friends and associates as Max Red, was an enormous, and powerful black man. He had been blessed with a rare gene, one which gave him the ability to see in just about any light, making his job much easier. Max was a detective, not the best, but damn good. Unlike others in his profession, Max could work where others couldn’t.

Where we live

From my author’s notes on Waiting

…the writer’s circle of light… it’s located in the middle of winter at the back parking lot. With winter’s subzero snowflakes floating all around you—our private little hell. That is what it is like to be a writer. We live out in the hell’s frozen back parking lot, at least that’s how I view writers, we’re the forgotten and forlorn. Sure some of us get to wander in from the cold, but not many.

Behind the walls

The walls seemed to rise up to infinity. Looking up he could see the darkening sky overhead, angry and filled with rage. The lightning danced throughout the now impenetrable darkness of the angry god’s heaven. Let the deluge come! he thought harshly, knowing the walls kept in those too wretched to be set free, and too haunted to be sane. Yet, for an instant, he thought perhaps there were some worth saving—the heavens opened up and unleashed their downpour—death walked the streets behind the walled city, claiming his due and it were for naught that they, the wretched, the insane, the forlorn and lost, were ignored. Their terror and pain called out to him, a prayer of suffering. Today was the beginning of rapture and none could stay his hand. The end had come.

Reading references redoubt

Recently I had the opportunity to discuss the concept of reading other authors’ works. A statement was made that authors need to read other authors works for period language, concepts of genre, and a mean by which one can breath a greater essence of life into your story. Initially I had disagreed with my fellow author. I held dear the belief that an author should not be influenced by another’s work, to be true to one’s self is of utmost importance. However, I was was incorrect.

Take the time to read, find the books that you can use as resources, and place them on a shelf to become your personal reference works. These stories can be invaluable tools for accessing period language, descriptions, and concepts that can help you write that truely amazing work.

And so it ends…

Looking back on the two stories, that were originally supposed to be five, that made it into the book I find myself at the jumping off point. A point where the assignment is over, and it’s now time to begin a new chapter. Do I really want to keep on writing, as this task has taken so much out of me. If pressed I would say yes, but I’m not sure anyone will be interested in my older works, and I know they are garbage compared to what they should be. I began those stories so long ago that they I view them now as being written with colored wax instruments. So do I really want to continue or do i want to begin again? I would like to finish the other three stories I have begun, those that did not make the Pink Final Cut.

And so I bled for the craft that is writing, and am I well written? No, I think not. I don’t know if one every truly becomes well written. I do know that having written something, I can say that I flew, I soared high into the sky and among the clouds. Most people that want to write are really people who want to want to write and simply never do.

I’ve been asked in the past what the key to being a writer is, I simply respond by asking the person to pick a word. I then have them write it down. Next I have them pick a word they think goes with it, and then have them write that down. I finally ask them to keep doing this until they’ve written the story. To never give up, even through adversity, even through the blood red pen marks and harsh critiques and criticisms, that is what it means to be a writer.

You can write every single day of your life, all day long and still not be well written. You have to want to be better, to improve. Couple that with your desire to write, and then actually do it.. then, and only then, will you be a writer.

From the inkwell…

Whom to listen to

Who do you listen to when seeking reviews?

I’m lucky, unlike many writers or want-to-write-ers, I have a group of people that can be well written. Not all of us are gifted in composition analysis, or rhetoricians, but we all have someone we listen to.

I was told, by a peer, that even Steven King has a group of people he passes his writings along to. I tend to want a more seasoned hand reviewing my work, and that too can be a troublesome road to travel. I think it’s better if we obtain input from people we like and respect than just a random set of fans. For instance, instead of seeking approval or input from a story I may post up here on this blogg, I would seek that input from people I interface directly with. It’s not to say that those people reading my stories don’t have critiques that are valid, they most certainly do. But what they don’t have is a knowledge of me, I don’t know them, and therefore can’t trust their input.

It is valuable to get input from other writers, friends, and family. Just make sure the input you get is from the source you want.